Skip to Content

Category:All Posts

Default category for all posts


Othello in the Seraglio: The Tragedy of Sümbül the Black Eunuch
a coffeehouse opera based on Shakespeare

Othello in the Seraglio, a uniquely powerful “coffeehouse opera,” tells an age-old story of passionate love and murderous jealousy, of a black slave at the 17th century Ottoman Court who rises to power and riches, only to come to a tragic end. The multi-layered script is by NEC music historian Robert Labaree, while the stunning score, by Boston composer and Grammy nominee Mehmet Ali Sanlıkol, weaves together Italian Baroque and Turkish sources with his own newly-composed music into a tapestry of uncanny beauty. Othello is performed on European period instruments and traditional Turkish instruments by an ensemble of 12 instrumentalists, singers and a dramatic storyteller.

Locations, Dates/Times, Prices: 
-March 26, New England Conservatory, Plimpton Shattuck Black Box Theatre at 4pm. Further details available here
-March 27, Princeton University, Garden Theater at 6pm. Further details available here
-April 5, Tufts University, Varis Lecture Hall, Granoff Music Center at 12pm. Further details available here

All of the above screenings are made possible by support from








JEWS AND SUFIS: A Shared Musical Tradition
with Edwin Seroussi

Presented by The Katz Center at University of Pennsylvania

Since at least the 16th century, the Turkish maftirim repertoire–Hebrew devotional poetry set to Turkish makam music for use in the synagogue–demonstrates the deep relationships Ottoman Jews established with members of Muslim mystical brotherhoods. Leading scholar, Prof. Edwin Seroussi in a panel of three will speak on cultural, historical, religious and musical aspects of the topic, followed by dialogue with the audience.

The program will conclude with a lively recital featuring an ensemble of Jewish, Muslim and Christian vocalists and instrumentalists demonstrating examples of relevant musical repertoire.

Location, Date/Time, Price: 
March 17, Old Pine Street Church, 412 Pine St. Philadelphia, PA, 2:00pm
Open to the public. To register please click here




Mehmet Ali Sanlıkol & Whatsnext? featuring Dave Liebman

Presented by WBUR

Do not miss the premiere of an extended intercultural composition by Grammy nominee Mehmet Ali Sanlıkol for Jazz Orchestra featuring NEA Jazz Master/Saxophonist Dave Liebman

The piece draws upon three episodes from Middle Eastern history as its inspiration. The first narrative centers around the great Sufi poet Rumi, composer of the most beautiful mystical poetry ever written. The second story comes from the traditions of Sephardic Jews, expelled from Spain but welcomed by the Ottoman Sultan Bayezid II, leading to a cultural flowering treasured to this day. The third narrative tells the story of Mimar Sinan, forcibly taken by the Ottomans as a young Orthodox Christian boy, who came to embrace his new Muslim identity and rose to great heights as the master architect of some of the greatest mosques in the world. The unique Middle Eastern musical flavors will be supported by additional ethnic flutes, reeds and percussion.

Location, Date/Time, Price:
May 17, CitySpace, 890 Comm. Ave. Boston, MA, 7:30pm
Admission: $15. To purchase tickets please click here


THY Logo

Why are we called a Musicians’ Collective?

At the core of DÜNYA, even before musicianship, lies friendship. DÜNYA’s many ensembles are nothing but friends of DÜNYA coming together to make music. Some of DÜNYA’s friends will tend to appear in more productions along side our core ensemble, composed of myself, Robert Labaree and Cem Mutlu. However, there will also be DÜNYA productions such as A Story of the City: Constantinople, Istanbul in which as many as 35 musicians (friends) will collaborate. Yet even though some of the cast members in such a production may be participating at a DÜNYA event for the first time, they will immediately become a member of the greater DÜNYA family.

DÜNYA has a core ensemble and many circles of friends. Each of our productions will present a musical theme and, depending on this theme and the kinds of instruments required, our core ensemble will be joined by a number of our friends. That’s what makes us a Musicians’ Collective.

Mehmet Ali Sanlıkol